Despite the many vicissitudes this autumn we keep working on Luoghi (which was intended as a working title but likely it will remain).
For this winter we are refining music and sound —always a pivotal part of the structure of the piece—and also thinking about rehearsals and personnel, and mainly on setting up / strike stuff.
Considering the practical part of setting up a piece, what is viable or not ends up being the gist of the piece.
Many artists and most art related people do not seem to realise how results, especially in terms of form, depend on that.
